Kurosawa Kiyoshi on Cannes Title ‘The Samurai and the Prisoner’: ‘Films Have the Potential to Transcend National Borders’
Kurosawa Kiyoshi has spent a career trapping his characters in the present tense — in the buzzing infrastructure of contemporary Tokyo, in the ambient dread of the networked age, in the particular horror of ordinary life curdling into something much worse. “The Samurai and the Prisoner” takes him somewhere he has never been before: feudal […]
Kurosawa Kiyoshi has spent a career trapping his characters in the present tense — in the buzzing infrastructure of contemporary Tokyo, in the ambient dread of the networked age, in the particular horror of ordinary life curdling into something much worse. “The Samurai and the Prisoner” takes him somewhere he has never been before: feudal…
Kurosawa Kiyoshi has spent a career trapping his characters in the present tense — in the buzzing infrastructure of contemporary Tokyo, in the ambient dread of the networked age, in the particular horror of ordinary life curdling into something much worse. “The Samurai and the Prisoner” takes him somewhere he has never been before: feudal […]
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