Ira Sachs on ‘The Man I Love,’ Queer Cinema in the Age of Trump and Casting Straight Actors in Gay Roles: ‘I Don’t Ask People Who They’ve Slept With’
For four decades, Ira Sachs has chronicled queer life in New York, shining a light on the artists and iconoclasts whose work gives the city such a vibrant, transgressive edge. “The Man I Love,” which Sachs describes as one of his most personal films, adds to the canon. Set in the 1980s at the height […]
For four decades, Ira Sachs has chronicled queer life in New York, shining a light on the artists and iconoclasts whose work gives the city such a vibrant, transgressive edge. “The Man I Love,” which Sachs describes as one of his most personal films, adds to the canon. Set in the 1980s at the height…
For four decades, Ira Sachs has chronicled queer life in New York, shining a light on the artists and iconoclasts whose work gives the city such a vibrant, transgressive edge. “The Man I Love,” which Sachs describes as one of his most personal films, adds to the canon. Set in the 1980s at the height […]
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