‘I See Buildings Fall Like Lightning’ Review: Clio Barnard Returns With a Clunky Social-Realist Weepie About Five Friends in Birmingham
The group of lads at the center of Clio Barnard’s “I See Buildings Fall Like Lightning” dance their way through addiction, housing precarity, class tensions and good old romantic betrayal. In theory, the British director’s fifth feature — premiered in Directors’ Fortnight at Cannes — is a film of big, bubbling emotions and anti-capitalist rage. […]
The group of lads at the center of Clio Barnard’s “I See Buildings Fall Like Lightning” dance their way through addiction, housing precarity, class tensions and good old romantic betrayal. In theory, the British director’s fifth feature — premiered in Directors’ Fortnight at Cannes — is a film of big, bubbling emotions and anti-capitalist rage.…
The group of lads at the center of Clio Barnard’s “I See Buildings Fall Like Lightning” dance their way through addiction, housing precarity, class tensions and good old romantic betrayal. In theory, the British director’s fifth feature — premiered in Directors’ Fortnight at Cannes — is a film of big, bubbling emotions and anti-capitalist rage. […]
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