The Riskiest Job in British Film
As Mia Bays prepares to leave her post as head of the BFI Filmmaking Fund, she reflects on five years of backing the films nobody else would touch — and why British cinema’s survival depends on never playing it safe.
As Mia Bays prepares to leave her post as head of the BFI Filmmaking Fund, she reflects on five years of backing the films nobody else would touch — and why British cinema’s survival depends on never playing it safe.
As Mia Bays prepares to leave her post as head of the BFI Filmmaking Fund, she reflects on five years of backing the films nobody else would touch — and why British cinema’s survival depends on never playing it safe.
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